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Design Fashion Luxury Restaurants

Daphne’s Restaurant + Bamford Haybarn South Kensington London

Everyone Likes It Hot

Macaronis and cheese anyone? That’ll be our movie. Moving on, we’ve got the hottest table in the coolest restaurant on the hottest day of the year. More Sahara than Siberia. Hot in the city. While the Christian name “Daphne” is most recognisable as Tony Curtis’ alter ego in Some Like It Hot, “Daphne’s” belongs to Princess Diana’s fav Italian local. Founded in 1964 by theatre agent Daphne Rye, just when nearby King’s Road was gearing up to the era, Daphne’s has since become a South Ken institution.

The restaurant is in cool company. Bamford Haybarn, one of Lady Bamford’s forays into retail and a shrine to sensational scent, is three doors down. Joseph and Chanel, shops not people, hang out in this Draycott Avenue ‘hood. Serena Armstrong-Jones, Countess of Snowdon, had a charming eponymous gift shop on Walton Street back in the day when she was Serena Linley. Her shop has come and gone. As for fashion, Isabel Marant flies the flag on Walton Street these days. Daylesford on Sloane Avenue is another of Lady Bamford’s organic outlets. Its canopy announces an all embracing offer: “farmshop, café, bar, butcher, bakery, cheese, fish, larder, wine, home store”.

Under current owner restaurateur Richard Caring’s watchful eye, Daphne’s was given the full Martin Brudnizki treatment half a century after it first opened. The Swedish interior architect puts it succinctly: “Minimalism, maximalism, modernism, classicism – I’ve done them all. For me they are the four pillars of design. I take a bit of each and mix them in different strengths depending on the client.” Dublin born designer David Collins, who died prematurely in 2013, transformed a swathe of hospitality interiors in London. A fresh eclectic glamour upped the stakes and steaks at The Wolseley restaurant for starters and Artesian Bar at The Langham Hotel for nightcaps. Martin Brudnizki upholds that tradition, from giving minimalism a Scandi twist at Aquavit restaurant to maxing out maximalism at Annabel’s club.

Daphne’s interior floats somewhere between minimalism and maximalism, blending modernism with classicism. A vivid palette of pinks, yellows, greens and oranges recalls the hues of sun drenched Verona gardens and rooftops. The conservatory dining room is a light confection of bevelled mirrors, linen awnings, 1950s Murano chandeliers, modern European art and a baroque style green marble fireplace.

Effortlessly sophisticated, Daphne’s is neither the place to try out macaroni cheese nor entry level wine. Lunch is Pinot Grigio di Lenardo Friuli 2018 (grape expectations); scallops with chilli and garlic (park those kisses); ravioli with buffalo ricotta and asparagus (so this season); Wedgwood strawberry cheesecake (china town). And selection of Italian cheese (please).

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Architecture Art Design Fashion Luxury Town Houses

Neuer Wall + Alster Arcades Hamburg

They Do It Better Here

Neuer Wall is one of the classiest streets in Germany’s second largest city. This being Hamburg, it runs parallel with two canals. Neuer Wall is designer store heaven. To name a few: Acne Studios, Bottega Veneta, Burberry, Chanel, Dolce + Gabbana, Giorgio Armani, Mahlberg, Isabel Marant, Jil Sander, Dorothy Schumacher, Louise Vuitton. Occupying the majority of the southernmost urban block on the far side from Alsterfleet Canal is a development that celebrates all that is good about German town planning.

The blur of old and new architecture, public and private space, external and semi enclosed is so well handled in the rebuilding of Görtz Palais and what lies beyond. In a highly complex case of town planning par excellence, the central archway of the rebuilt Görtz Palais leads through to a sloping corridor lined with shop windows which in turn opens into an arcade with arches on one side open to Bleichenfleet Canal. Steps lead onto a series of interlinking courtyards: Stadthof, Treppenhof and Bleichenhof, all wrapped in an abundance of ceramic tiled walls. An archway reveals the best open space of all: the courtyard of Hotel Tortue. Piped classical music adds another thrill to the experience. They do it better here.

Categories
Art Design Luxury People

Galignani Bookshop + Rue de Rivoli Paris

There Will be a Moon in Paris Tonight

Cultured Parisiennes like Maud Rabin always comment how Paris is constantly under construction; the city as cathedral. Perhaps that’s how it can lean towards an old architecture yet expressing l’esprit nouveau. Chaneling Channelling our inner Inès (de La Fressange), chic to chic, air kissing and French embracing, we stride along Boulevard Haussmann to a Gershwinesque cacophony of taxi horns. Tout-Paris, tout suite! Palais Garnier is on our right. “It’s full of ghosts!” whispers Maud. “Paris has two opera houses. The other opera house, Bastille, was built in 1989. Très moderne!” Paying homage to the late great Karl Lagerfeld, we head for his favourite bookshop, Galignani. Danielle Cillien Sabatier, Directrice Générale, will later say, “Thank you so much for this really nice publication.”

Categories
Luxury Restaurants

Royal Albert Hall + Aquavit St James’s London

School for Scandi  

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It is a truth universally acknowledged that life is better experienced from inside the box. Especially if said box is the most columned, curtained, cushioned, closeted, contained and catered for one at the Royal Albert Hall. “Anyone for sheep’s milk ricotta and elderberry jelly on potato tuile or sweet garden pea soup with poached quail’s egg and truffle foam?” asks our in-house in-box in-the-know waiter.

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A few days later, suddenly, sharing a waiter with other guests seems rather déclassé, or would be if we weren’t dining in classy Aquavit. Lady Diana Cooper once described Vita Sackville-West as “all aqua, no vita”. Not so this restaurant: aptly named after the Scandinavian spirit, it’s full of life. We’re here, for starters. Not just desserts. A Nordic invader of the New York scene in the 1980s, sweeping up two Michelin stars, it opened an outpost in Tokyo and has now come to Mayfair.

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Shepherd Market is the foodie haven west of Piccadilly. St James’s Market, Aquavit’s address, is a new or at least reinvented Shepherd Market hopeful east of Piccadilly. It’s a discreet location on The Crown Estate, but more luxury restaurants and flagship stores are due to open shortly. “The location is coming,” we’d been told. Cultural additions to this heralded “new culinary hub” include a pavilion opposite Aquavit styled like a cabinet of curiosities. The disembodied voice of Stephen Fry reading an 18th century ballad “The Handsome Butcher of St James’s Market” floats above stacked dioramas.

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In 1989, Country Life reported: “Until quite recently London lacked continental style brasseries. There has always been a wide choice of restaurants but the alternative to an expensive meal has been the ‘greasy spoon’ café, the pub or various questionable ‘takeaways’. Traditionally the City provided dining rooms, now almost extinct, together with a diet of boisterous restaurants such as Sweetings, the catering world’s equivalent of the floor of Lloyds or the Stock Exchange. But greater sophistication was demanded by a new generation keen on modern design, New York and cuisine, as opposed to cooking.”

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That all changed with the arrival of Corbin + King and Richard Caring who have filled Mayfair and beyond with brasseries. Aquavit fits into the higher end of that mould. CEO Philip Hamilton says, “Our aim is to create a relaxed morning to midnight dining experience.” Handy, as we – the Supper Club (Lavender’s Blue plus) – all have Mayfair offices, from Park Lane to Piccadilly Circus. Scandi style has been ripped off so much by hipster hangouts but this is west, not east, London. Pared back lines allow the quality of the materials to shine (literally in some cases) through: marble floors climb up the dado to meet pale timber panelling, softly illuminated by dangling bangles of gold lights.

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The airy double height interior with two walls of windows was designed by Swedish born Martin Brudnizki, the creative force behind Sexy Fish, and showcases works by Scandinavian designers such as Olafur Eliasson. Furnishings are by Svenskt Tenn; photographic art by Andrea Hamilton; silverware by Georg Jensen; uniforms, Ida Sjöstedt. Wallpaper* meets Architectural Digest. We’d been warned that “it’s a bit of a fishbowl” but we’re down with that. See and be seen. Duchamp shirts and Chanel dresses at the ready. This glass box is Nighthawk without the loneliness; The London Eye minus the wobbliness; Windows on the World missing the dizziness. A mezzanine over the bar contains two very private dining rooms named ‘Copenhagen’ and ‘Stockholm’.

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The menu is divided into Smörgåsbord, Starters, Mains, Side Dishes, Desserts. It’s tempting to overindulge on the smörgåsbord – really, a return visit is required for that course alone. So it’s straight onto the starters. Scallops, kohlrabi and lovage (£9.00) in a light citrus dressing demonstrate Nordic cuisine does raw well. Dehydrated beetroots, goat’s cheese sorbet and hazelnuts (£9.00) – we’re getting citrus, nectarine and dill – prove there’s life beyond seafood.

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Sourdough bread and knäckebröd (Swedish rye crisp bread with a hint of aniseed) come with whey butter. “The whey butter is from Glastonbury,” explains our waiter. It’s all singing all dancing. Chillout music is playing in the background. We’re experiencing what the Scandinavians call ‘hygge’, that cosy relaxed feeling you get when being pampered, enjoying the good things in life with great company. All the more reason to sample Hallands Fläder (£4.50), an elderflower aquavit. A continuous flow of sparkling water is (aptly) plentiful and reasonably priced (£2.00). Ruinart (£76.00) keeps our well informed sommelier on her toes.

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Monkfish in Sandefjord Smør (Hollandaise type sauce named after the city) trout roe (£28.00) tastes so fresh it transports us like a fjord escort to the Norwegian coast. Landlubbers be gone! Purple sprouting broccoli and smoked anchovy (£4.00) is a sea salty side grounded by the flowering vegetable. Chestnut spice cake with salted caramel ice (£8.00) is a slice of perfection revealing tones of vanilla and orange. Swedish hazelnut fudge provides a waistline enhancing end to dinner.

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Right now, Aquavit is hotter than Lisbon in July and cooler than the Chanel party in Peckham. And that’s just the beautiful staff. It shares Executive Chef Emma Bengtsson with the New York site and Head Chef is fellow Swede Henrik Ritzén, who previously cooked at The Arts Club in Mayfair. Emma, who is visiting England for a television appearance, believes, “Everyone has their own flavour profile – how they like things. I’m very intrigued with keeping flavours to highlight the produce itself. It’s very pure. The flavours are understandable… You gotta keep trying. Never stop trying.”

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Aquavit isn’t cheap but this is a high end establishment in Mayfair with form. It’s The Telegraph’s How To Spend It territory. After all, the person, be it gentleman or lady, who has not pleasure in a good meal, must be intolerably stupid. And as Lady Diana Cooper once quipped, “money is fine”. Blink and you’ll miss daylight but that doesn’t mean January has to be dull or dry. We’re full and full of the joys. It’s not a school night and round the corner in Soho, Quo Vadis isn’t just a restaurant… Time to cut loose under a garish sky.

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Our dedication to reportage ever unabated, is it a dream sequence or the following day do we return for a smörgåsbord of diced and smoked mackerel tartare, sorrel and lumpfish roe (£7.00) in a salad bowl, sitting at a timber table on the polished pavement? Not forgetting the unforgettable Shrimp Skagen (£9.00)? Skagenröra isn’t just prawns on toast, y’know. Named after a Danish fishing port, other essential ingredients are mayonnaise, gräddfil (a bit like soured cream) and some seasoning. Grated horseradish, in this case, adds a bit of spice. Best crowned with orange caviar. It’s Royal Box treatment all over again as we have a dedicated waiter to our table. Or maybe that’s because we are the only alfresco brunchers braving the elements outside the box. By Nordic winter standards, it’s a positively balmy morning. We’ve a love hate relationship with Aquavit. Love here; hate leaving.

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Categories
Design Luxury People Town Houses

Peter Sheppard + Smallbone Kitchens Brasserie Range

Range in the Home

1 Peter Sheppard's Smallbone Brasserie Kitchen © lvbmag.com

Where better for Smallbone of Devices to launch its new range than the kitchen designers’ very own home? And where better to dwell than the converted Friary of St Francis, a brogue’s shuffle from Westminster Cathedral? The building was designed in 1884 by Henry Astley Darbishire, Peabody Trust’s trusted architect. His flats on nearby Pimlico Road form a rambunctious High Victorian yellow brick hallelujah to piety. They rise above quotidian stockists: Semmalina toys; Ramsay art, Tomasz Starzewski fashion; La Poule au Pot wine dining; Wild at Heart flowers; Michael Reeves furnishings; Gordon Watson antiques; Gallery 25 antiques; Moloh fashion; Luke Irwin art; more Luke Irwin art; Langston antiques. Living over the shop has never been so glam. Oh. Em. Gee. The former friary elevates philanthropic grandeur to a whole new level: a four storey loggia lined Romanesque palazzo of patronage.

The reports of the death of fine dining are greatly exaggerated. Eating out hasn’t quite cataclysmically descended from fish knives to fishwives. More like a move from blue blood to blue jeans. Out formality; informality. Chris Corbin and Jeremy King are the pioneers of creating dress down town restaurants with an uptown social scene. Meritocracy over aristocracy. Michel Roux’s La Gavroche and Gordon Ramsay’s Pétrus may still be serving haute cuisine at triple the price and triple the waiter-to-customer ratio, but the brasserie scene dominates now in London. Fine dining is niche, not norm. Even the famously conservative Marcus Wareing has binned the white linen tablecloths at his fine dining restaurant in the Berkeley Hotel. He’s replaced the late David Collins’ interior with “free and easy dining accompanied by American style service”. Peter Sheppard who along with Keith Day designs for Smallbone observes, “Restaurant style creeps into homes.”

Ever since its seminal 1970s Pine Farmhouse Range, Smallbone has been setting kitchen trends. In the 80s came Hand Painted and then in the 90s, when everyone else was busy doing fitted, came Unfitted. This trailblazing salute to Charles Jencks’ postmodernism introduced freestanding furniture, stoves, larder cupboards and the singular kitchen island. “Fitted kitchens first became popular in the 1950s,” relates Peter. “The Brasserie Range continues the move away from fitted kitchens. It’s influenced by the 30s, based around the needs of the family. A place to cook and chat. The starting point was an oversized dresser in a French bistro we frequent. It adds to the relaxed Provençal ambiance. We’ve adapted the dresser, adding sliding glass doors, an integrated worktop and back painted open shelving.”

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Characterful strips of knotty oak contrast with nickel plated saucepan style drawer handles. Plain cornices and skirting boards are finished with a slip of brushed stainless steel. It’s versatility, though, that defines this range. The traditional plate rack has been updated to hold glasses under it. The ceiling rack now has a wraparound shelf. Below the sink unit is a slatted ledge for Keith and Peter’s pug, Chanel. St Francis is not just here in spirit. A bronze statue of the patron saint of animals is on the wall outside. As for the kitchen island, that’s so last century. Smallbone’s Brasserie Range has three islands of varying size. The kitchen archipelago.

Peter Sheppard's Smallbone Brasserie Kitchen © lvbmag.com

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Fashion Hotels Luxury People

Jonathan Blake + The Serbian Royal Family

Trunk Call

1 Jonathan Blake Fashion Show © lvbmag.com

Like the Duchess of Devonshire, we haven’t cooked since the War but at least we know our Neo from our Geo; Christian Lacroix from Christina Louboutin; Monet from Manet; Zoffany in a frame or on the wall. We could go on. There is only so much esoteric existential living to be done so it’s off again on our noctivagous wanderings to the Grosvenor House Apartments by Jumeirah Living for some cone shaped canapés of culinary consequence. And fizz to boot.

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A private reception and trunk show is being co hosted by emerging talented Texan fashion designer Jonathan Blake with philanthropists Dr Meherwan and Zarine Boyce, also from Houston. Their Royal Highnesses Crown Prince Alexander and Crown Princess Katherine of Serbia grace us with their presence. But first, we’re on the scent of the global ambassador of our fav perfumer, Victoria Christian.

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As the penthouse corridor becomes a runway, mannequins attired in Jonathan Blake’s Fall/Winter 2013 and Spring/Summer 2014 Collections weave their way past pulchritudinous Sloane Ravers, brilliant black suited barristers, hot hoteliers and the odd columnist. “My designs are inspired by Chanel, Valentino and Versace,” notes Jonathan. “They’re wearable, classic and elegant. Several of the pieces I am featuring tonight are made from a powder blue silk fabric. Others are made of gold lace.”

4 Jonathan Blake Fashion Show © lvbmag.com

To die for definition, clever cuts, sophisticated silhouettes, majestic materials… Jonathan Blake’s woman is international, knows she can look great while being taken seriously. Prices range from a £170 blouse to £9,000 for an evening dress. Meanwhile, we live in hope of a Jonathan Blake men’s collection. Shipping, becalmed.

5 Jonathan Blake Fashion Show © lvbmag.com