It Is Cricket
In an exclusive preview, Lavender’s Blue tour Morpheus’s latest ultra prime residence. It’s an architectural moment on a roofscape, reimagined for the opening decades of the 21st century. A great swathe of entertainment space lies behind a grand sweep of terrace, a cow shot from Lord’s Cricket Ground. A double hat trick. Side on is a hawk eye view of The Regent’s Park, good for rabbit and ferret spotting. Penthouse doesn’t quite paint the picture. This is about placement. Welcome to The Pavilion, St John’s Wood.
Alex Isaac is Head of Design at Morpheus. Previously he was Creative Director at Linley and before that he designed yachts. Mega yachts. “Of course Morpheus is highly regarded in the development world,” he commences, “but increasingly we’re also taking on private commissions. We deliver one stop turnkey solutions for refurbishments as well as building new homes. Our development at Pond Place sums up the Morpheus approach to interiors – luxurious, elegant, not intimidating, relaxing, a calm environment.”
His experience designing mega yachts for Edmiston and Company is relevant. “The highest levels of design and craftsmanship are essential for yachts. But you only stay on your yacht about six weeks a year so it can be more ostentatious. It’s not your home!” When Jamie Edmiston acquired Linley, he took Alex with him. Alex’s parents are both interior designers. The Morpheus team includes architects, architectural technicians, interior designers and cabinetmakers. “We’ve got a vast database of suppliers,” he confirms. “And we design problems out at the very beginning, while keeping within budget and timescales.”
More on The Pavilion, all 3,600 internal square feet and 1,700 external square feet of it. Two lifts open into a central entrance hall lit by grand chandeliers. “It’s important to invest in fine pieces,” Alex believes, “to spend money where it counts. Sometimes we take inspiration from antiques to produce amazing timeless installations.” Beyond, to the front of the building is that entertainment space. A walnut floored reception area is balanced on one side by a dining room and on the other, a study. “Rather than one traditional desk,” he continues, “the study’s designed for hot desks but it’s still quite formal.” A wall of windows overlooking the 100 foot long terrace could prove distracting for getting any work done.
Namibia white marble corridors of certainty. To the rear of the host building is a quieter zone which includes a cluster of family bedrooms accessed off an inner hall. Marble is complemented by an indulgence of soft materials: velvet, suede, leather and 100 percent hand tied silk carpets. The bedrooms enjoy direct access onto a 60 foot long terrace. The master suite is separately accessed off the entrance hall and also overlooks the rear terrace. A glazed winter garden occupying part of the terrace allows for all year round relaxation. The square cut symmetry of the floorplate is matched by the classic balanced interiors. “We design through the eyes of our clients,” says Alex. “The nature of our work means we approach every commission like The Pavilion in a tailored fashion. This informs the design language to address our clients’ desires, needs and requirements.”
“I like to bring the detailing out of loose materials, such as pillowcases, and apply it to the architecture as well, to the walls,” he highlights. Style, comfort and technology form the golden trio of successful interiors. Alex notes an increasing desire by clients for long distance control of their homes’ environment: “These days Apple interface is usually requested.”
“At Morpheus,” Alex concludes, “we’re diverse. We don’t fall into the trap of a house style. Instead, each project takes on its own distinctive style. Projects are informed by choice and use of materials, restraint and patrician dexterity. Clients expect first class comfort as well as distinguished style and the latest technology. That’s what makes up our DNA!” So far, so good innings.